Prof.Ram Chawle
Dhvanyaloka of. Anandavardhana,. Vakroktijivita of Kuntaka, Kavyamimamsa of Rajasekhara and. Mammata's Kavyaprakasa.
Though Bharata' rasa
theory
Match
the following:
|
Theorist
|
Theories
|
|
(a)
|
Bharata
|
|
(i)Vakrokti
|
(b)
|
Kuntaka
|
|
(ii)Riti
|
(c)
|
Bhamaha
|
|
(iii)Dhvani
|
(d)
|
Anandavardhana
|
(iv)Rasa
|
The
right matching according to the code is:
|
(a)
|
(b)
|
(c)
|
(d)
|
(1)
|
(i)
|
(iv)
|
(ii)
|
(iii)
|
(2)
|
(ii)
|
(iii)
|
(i)
|
(iv)
|
(3)
|
(iv)
|
(i)
|
(ii)
|
(iii)
|
(4)
|
(iii)
|
(ii)
|
(iv)
|
(i)
|
Ans:3
Rasa
is defined by Bharata in his Natyasastra as follows: - vibhavanubhava -
vyabhicari -samyogat - rasa - nispattih
which means that the! "combination of vibhavas (determinants) and
anubhavas· (consequents) together with vyabhicari bhavas (transitory· states)
produce rasa" Rasa is chat which is: relishable - rasa iti kah padarthah
atrucyate asvadyatvat.
six
chapters in Kavyalamkara have fiftynine karikas in the first chapter and The
ninetysix. karikas of the second chapter, a Fiftyeight karikas of the third.
Kavyalamkara is written by
1 Anandavardhana
2 Kuntaka
3 Bahama
4 Bharata
Ans:3
(1) Who is the author of Natyasatra
(A) Bharatha (B)Bhamaha
(C)Ananthavarthana (D)Kuntaka
Ans:A
(2) Who is the author of Natasutra
(A)
Bhamaha (B) Silali
(C)
Kuntaka (D) Kesmaentra
Ans:B
(4) What is the essence of poetry
(A) Rasa (B) Bava (C) Riti (D) Aucitya
Ans:A
(6) Natyasatra sixth chapter deals with
(A) Bhav &Alankaras
(B)
Rasa & Bava
(C)
Alankaras & Vakrokthi
(D) Karika & Vriti
Ans:B
According to Bharata ,what is the soul of
the poetry
(A)
Bava (B) Rasa (C) Alankara (D) Guna
Ans:B
(8) Who is the author of kavyaprakasa
(A) Mammata (B) Ananthavardhana
(C) Ruyyaka (D) Bharatha
Ans:A
(11) Bhamaha was anterior to ------------
(A)
Vamana (B) Dandin
(C) Bhamaha (D) Ananthavarthana
Ans:B
(13) Bhamaha’s kavyalakara is popularly known
as ----------------
(A)
Bhamaharamkara (B) Kavyakoutuka
(C)
Kavyavritti (D) Vakroktikavya
Ans:A
(14) Udbhada ,wrote a commentary on
kavyalamkara called
(A) Kouthuka (B) Vivarana (C) Anumana (D)
Hirdayadarpana
Ans:B
(15)
There are ------------gunas accepted by Dandin (A) Ten (B) Four (C) Eight (D)
Five Ans:A
(16)
Who is the founder of the Guna school
(A) Vamana (B) Dandin
(C) Bharata (D) Kuntaka
Ans:
B
(17)
Dandin defines ten gunas to be the life breath of -------------style
(A)
Vaidharbhi (B) Goudiya (C) Panchali (D) Bharathi
Ans:
A
(18)
Dandin can be considered as the exponent of the ----------school
(A)
Riti (B) Anumana (C) Guna (D) Vakrokthi Ans: C
(19)
Who is the author of the Kavyalamkara
(A)
Vamana (B) Bhamaha
(C) Bharata (D) Kuntaka
Ans:B
(20) Who is the author of the Kavyadarsa
(E) Vamana (F) Dandi
(G) Bharata (H) Kuntaka
Ans:B
(21) Dandin enumerates --------------Alankaras
(A) 32 (B) 30
(C)
20 (D) 25
Ans:A
(22) Which is the date of the Vamana
(A) 7 th century (B) 8 th century
(C) 10th century (D) 11th century
Ans:A
(23) Who is the patron of the great poet
Vamana (A) Jayapida (B) Jayadeva
(C) Kumarila (D) Ramavarman
Ans:A
(24) Who is the founder of Riti School
(A)
Vamana (B) Dandi
(C)
Bharata (D) Kuntaka
Ans:A
(25) Vamana has written his Kavyalankara in
the ----------style
(A) Vriti (B) Sutra
(C) Karika (D) Anumana
Ans:B
(26) Riti is the soul of the -----------
(A)
Poetry (B) Drama
(C) Kathakali (D) Dance
Ans:A
(27) Vamana , provided the beauty of kavya is
---------
(A) Gunas (B) Alankaras
(C) Vriti (D) Anumanas
Ans:
A
The
style of Kalidasa is -------------
(A)
Panchali (B) Vaidarbhi
(C) Gaudiya (D) Avanthi
Ans:B
(31) Who is the author of the kavyalakara
sarasamgraha
(A)
Udbhata (B) Dandi
(C)
Bharata (D) Kuntaka
Ans:A
(32) Kavyalakara sarasamgraha also called
(A) Kavyakethu (B) Udbhatalamkara
(C)
Alankaralakshana (D) Vivrihi
Ans:B
(38) Who is the author of Kavyalankara
(A) Rudrata (B) Vamana
(C) Kuntaka (D) Mammatta
Ans:A
(40) Rudrata is known as ---------------
\
(A) Bhavadasa (B) Rurabhatta
(C) Dasa (D) Kirthi
(41) Who wrote Sringarathilaka
(A)
Rudrata (B) Vamana
(C)
Kuntaka (D) Mammatta
(42) Rudrata mentions as the tenth rasa called
(A) Karuna (B) Preyan
(C)
Santa (D) Hasya
(43)
How many vrities classified by Rudrata
(A) Five (B) Four
(C) Three (D) Two
(44) Rudrata was an elder contemporary of
------------ (A) Vamana (B) Anandavarthana (C) Kuntaka (D) Lollada
(45) The last chapter of Kavyalakara deals
with -------------
(A)
Anumana (B) Rasa
(C) Riti (D) vakrokthi
(46)
who is the profounder of Dhvani theory
(A) Anandavardhana (B) Abinavagupta
(C) Sankuka (D) Mammatta
Ans:
A
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